This is one of those
paintings that you work on for a few years before you let
it go. It shows a form that holds several different poses,
the longer you look and let your imagination drift the more
you see in the painting.
I love the fact that it’s imperfect in shape or representation,
in a way it acts as a backlash to my more realistic paintings
and allows for the enjoyment of shape and mind without the
stress of political correctness.